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By Imani Perry
Published by Beacon Press 2018
A review by Steve Halpern
Oftentimes
we listen to appeals of celebrities for support. Oftentimes we see how the
causes they promote, fall short of working to liberate humanity from the
dog-eat-dog world we live in today.
Lorraine
Hansberry was the first Black woman playwright who wrote a commercially
successful play. Imani Perry has written a wonderful biography of Hansberry,
introducing us to the fact that she was much more than a playwright. We can
begin to look at the life of Hansberry by looking at her groundbreaking play A Raisin in the Sun. This play
paralleled several events in Lorraine Hansberry’s early life.
Before
looking at this play, I think it is useful to look at the poem by Hansberry’s
friend Langston Hughes that gave her the idea for the title.
What happens to a
dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore—
and then run?
Does it stink like rotten meat?
Or crust and sugar sweet?
Maybe it just sags
like a heavy load.
Or does
it explode?
A Raisin in the Sun and the Hansberry family
A Raisin in the Sun portrays an African
American family that received an inheritance of $10,000. The family decided to
use this money to move into a predominantly “white” neighborhood in Chicago.
The son of this family didn’t want to accept the fact that he would live his
life as a second-class citizen because of the color of his skin. So, he
invested this inheritance and was swindled out of the money. The family then
deals with the aftermath of this situation.
Lorraine
Hansberry grew up in Chicago. Her mother, Nannie, was born in Tennessee and her
father, Carl, was raised in Mississippi. They were both college educated and
joined what has been called The Great
Migration to Chicago.
Carl
Hansberry understood that Chicago was a segregated city and there was a housing
shortage for Black people on the south side. He dealt with this problem by
buying apartment houses and cutting them up into smaller residences. He became
known as the “kitchenette king.”
However,
Carl Hansberry eventually became frustrated with segregation and purchased a
home in a “white” section of the city. The Hansberry family was then harassed
and attacked by racists who wanted them out of the neighborhood.
Carl
Hansberry took his case to the Supreme Court and won. However, this did not
change the segregated character of Chicago. As a result, Carl Hansberry grew so
frustrated with the racism in this country, and planned to move to Mexico. He
died suddenly in Mexico, in an attempt to escape from the nation that claims to
represent “liberty and justice for all.”
Lorraine
Hansberry went to college in Madison, Wisconsin. She wasn’t an outstanding
student, but was an avid reader as well as an artist. She spent one summer at
an artist colony at Ajijic, Mexico. She eventually dropped out of college and
moved to New York City.
The political life of Lorraine Hansberry
In
New York she became an ardent student of W.E.B. DuBois and worked for a
newspaper of the Communist Party in Harlem. Dubois became a beacon of the
anti-racist struggle in this country. While he was the editor of the NAACP
newspaper, Crisis, this paper was
popular with African Americans all over the country.
Lorraine
Hansberry has this to say about DuBois at his memorial meeting:
“I
do not remember when I first heard the name DuBois. For some Negros it comes
into consciousness so early, so persistently that it is like the spirituals or
blues or discussions of oppression, he was a fact of our culture. People spoke
of him as they did the church or the nation.”
During
this time she was developing her vision of the world and became a communist.
This meant that she wasn’t just opposed to segregation in this country, but
also supported the liberation movements in Africa and around the world.
She
eventually married Robert (Bobby) Nemiroff who was a Jewish songwriter. While
she maintained a friendship with Nemiroff, Hansberry became a lesbian and wrote
for a magazine that celebrated the lesbian lifestyle. We should recall that
this was in the 1950’s, well before the mass demonstrations of gay pride in
this country.
After
A Raisin in the Sun was a hit on
Broadway, Lorraine Hansberry became a celebrity. She developed close friendships
with James Baldwin and Nina Simone. Imani Perry dedicated a chapter in her book
to these friendships. The title of this chapter is The Trinity. These three friends shared abilities for artistic
excellence, as well as an unwavering dedication to the struggle for human
dignity.
James
Baldwin, for me, wrote some of the most incisive critiques of the United
States. He was critical of people who adapted to racism arguing that they were,
in effect, “impaled” in a mindless way of thinking. He argued that the only way
to become a mature human being and experience some level of freedom is to
challenge the oppressive trend of history, as well as the status quo of racial
discrimination.
Many
of Baldwin’s ideas were in line with Lorraine Hansberry. He viewed their
relationship as similar to brother and sister. However, Baldwin was not a
communist and Hansberry was. While they deeply appreciated each other, and
drank together, they also had animated fights where they shouted at one
another. After one of these fights Lorraine said: “Really, Jimmy. You ain’t
right, child.” She then handed Baldwin another drink.
This
is what Lorraine Hansberry had to say about the writings of James Baldwin: “in
his essays . . .(he) has taken the politeness out of
discussions of the brutalizing experience of the black man in this country and
put it down as it is. I think Mr. Baldwin has left the apologists, black and
white, nowhere to go but toward the truth.”
This
is what Nina Simone had to say about her discussions with Hansberry:
“We
never talked about men or clothes or other such inconsequential things when we
got together. It was always Marx, Lenin and revolution—real girls’ talk.”
In a
memorial to Lorraine Hansberry, Nina Simone wrote her song: To be Young, Gifted and Black. The idea
for the title of this song came from a speech of Hansberry to a group of young
writers. She said:
“The
Nation Needs Your Gifts.”
“though
it be a thrilling and marvelous thing to be merely young and gifted in such
times, it is doubly so to be young, gifted and black.” “You are . . .the
product of a presently insurgent and historically vivacious and heroic culture,
a culture of an indomitable will for freedom and aspiration to dignity.”
On
May 24, 1963 Lorraine Hansberry was among a group of activists who met with the
then Attorney General, Robert F. Kennedy. Kennedy wanted to diffuse the
struggle against Jim Crow segregation that had erupted in Birmingham, Alabama.
He thought that he might use this group, that also included James Baldwin and
Harry Belafonte, to diffuse this struggle.
Kennedy
clearly didn’t appreciate the growing sentiment of Black pride that was
emerging in this country. Earlier that year while Baldwin toured the South, he
had this to say:
“There
is, I should think, no Negro living in America who has not felt, briefly or for
long periods, simple, naked, unanswerable hatred; who has not wanted to smash
any white face he may encounter. . .to break the bodies of all white people and
bring them low, as low as that dusk in which he himself has been and is being
trampled.”
The
Congress of Racial Equality leader Jerome Smith was in New York at that time,
recovering from a head wound he received while protesting for civil rights. He
also attended this meeting and argued that Kennedy was insincere when he spoke
about protecting the rights of African Americans.
Kennedy
was dismissive of those remarks, and this angered Hansberry. She let out her rage
saying to Kennedy:
“You
have a great many accomplished people in this room, Mr. Attorney General, but
the only man you should be listening to is that man (Jerome Smith) over there.
That is the voice of twenty-two million people.”
Smith
continued and spoke about how Black families were trying to defend themselves
against racist mobs. Hansberry then responded by saying:
“That’s
all true, but I am not worried about black men—who have done splendidly, it
seems to me, all things considered.” “But I am very worried . . .
about the state of civilization which produced that photograph of the white cop
standing on that Negro woman’s neck in Birmingham.”
At
this point Hansberry walked out of the meeting and most of those in the group
followed her.
Clearly
it was the mass movement for civil rights that forced the government to abolish
Jim Crow segregation. However, looking at the life of Lorraine Hansberry, we
can see how she played an important part of that movement.
Today
the system of Jim Crow has been replaced with a system of mass incarceration
that targets Black men and women. However, when we think of the enormous
struggle we need to carry out, we can also think about the name of Lorraine
Hansberry. In her short life, she was a clear example how a truly gifted artist
can make a profound contribution to the universal struggle for human dignity.